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Mixuri
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It’s January 2013, the techno music is over and so is mankind. Sailing through a cosmic space now full of myriads of former Earth ashes, Lord Bangzorg, the captain-DJ of a klingonian spaceship which is in fact amassive entertainment club for his race, is quite sad and angry even if the lines on his forehead make him always look angry. He’s in the middle of compiling a mix for the next party on the ship when everybody should go nuts because it’s President Kling’s Birthday but, oh k-boy, his mind is so distracted, all his thoughts are going straight to the prison cell where the last human female, Tracy, is chained. Yes, folks, he’s in love with that alien and, fuck President’s Day, Bangzorg wants to impress her with his mix which will be transmitted through all spacespeakers even in the prison cells. But all he knows is the traditional Klingonian club music which is mainly a succession of sounds like “bzrg”, “frgz”, “stgrz” and even “zgrg”. Suddenly, a glimpse of hope appears in his eyes: an unknown furry animal with incredibly long ears was stolen from the Earth before its implosion and now he’s trapped in the science lab on the ship; attached to his neck, there is a round magnetic thingy which, as their scientists say, is a record of annoying human music sounds. Bangzorg runs to the lab and find the curious creature on a cage, he’s standing with a paw right over that record and looks straight to the klingonian. Bangzorg says “Please” but it sounded more like “Plzr”. Bangzorg says “Please” and now it sounds better. The furry animal finally lets it go and the klingonian takes the record on which he reads struck by a lightning bolt: “Mixtape for Tracy”. He looks to the animal and sees a smile. That’s how the mix sounded:
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